Rick Klauber
Shim Paintings
Work on Paper
Archive
Paintings 2012 - 2021
Summer Nonet 2016
Works on Paper 2000 - Present
Drop Paintings 1994 - 1998
Candlelight Drawings 1992
Loose Grid Drawings 1990
Color Grid Paintings 1989 - 1991
Stencil Paintings 1986 - 1989
Charcoal Timeline 1974 - Present
Paintings 1974 - 1984
Reviews/Essays
Art in America, John Yau, 1981
Bill Arning, from his catalogue essay for "In Full Effect", White Columns, 1991
Elaine King, "Masters of Graphic Arts Biennial", Hungary, 1996
William Zimmer, 1995
B.H. Friedman, catalogue essay, Brenda Taylor Gallery, 1998
ARTFORUM, Tom Breidenbach, 1998
The Brooklyn Rail, Cassandra Neyenesch, 2007
Art Blog, Joanne Mattera, 2010
Hyperallergic, Peter Malone, 2014
Cassandra Neyenesch, "Summer Invitational", Elizabeth Harris Gallery, 2014
Howard Scott Gallery, press release, Cassandra Neyenesch, 2016
CV
About, Videos & Contact
Shim Paintings
Work on Paper
Archive
Paintings 2012 - 2021
Summer Nonet 2016
Works on Paper 2000 - Present
Drop Paintings 1994 - 1998
Candlelight Drawings 1992
Loose Grid Drawings 1990
Color Grid Paintings 1989 - 1991
Stencil Paintings 1986 - 1989
Charcoal Timeline 1974 - Present
Paintings 1974 - 1984
Reviews/Essays
Art in America, John Yau, 1981
Bill Arning, from his catalogue essay for "In Full Effect", White Columns, 1991
Elaine King, "Masters of Graphic Arts Biennial", Hungary, 1996
William Zimmer, 1995
B.H. Friedman, catalogue essay, Brenda Taylor Gallery, 1998
ARTFORUM, Tom Breidenbach, 1998
The Brooklyn Rail, Cassandra Neyenesch, 2007
Art Blog, Joanne Mattera, 2010
Hyperallergic, Peter Malone, 2014
Cassandra Neyenesch, "Summer Invitational", Elizabeth Harris Gallery, 2014
Howard Scott Gallery, press release, Cassandra Neyenesch, 2016
CV
About, Videos & Contact
"Saturday Night", 2025, acrylic on white cedar shims, 30x29"
Installation view, Helm Contemporary, 2026
"Echo Chamber", 2023
“Hang My Hat”, 2026, acrylic on white cedar shims with wire brads, 76x87”
Installation view, Helm Contemporary, 2026, photo concept: Karina Argudo
"Silver Change", 2008, acrylic on white cedar shims with wire brads, 60 x 118"
"Silver Change", permanent installation, residential lobby, Jersey City, NJ
3 into 4, 2009, acrylic on white cedar shims with wire brads, 58 x 58"
Howard Scott Gallery, New York City, 2010
Amelie A. Wallace Gallery, Old Westbury NY, 2007
Modern World, 2007, acrylic on white cedar shims with wire brads, 52.25 x 138"
"Light Rain", 2023, acrylic and oil on cedar shims, 14x17"
"Not Fade Away", 8/19/21, acrylic on wood shims with wire brads, 47 x 16", private collection
Uptime, 2013, acrylic on wood shims, 50 x 16", private collection
"New Plan", 7/2/24, acrylic on white cedar shims, 26 x 24”
"Amulet", 7/19/24, acrylic on white cedar shims, 16 x 16”
"Stage Right", 7/19/24, acrylic on white cedar shims , 16 x 20”
Amelie A. Wallace Gallery, Old Westbury NY, 2007
Thin Air, 2007, acrylic on white cedar shims with wire brads, 64 x 137.5"
Howard Scott Gallery, New York City, 2010
Regular Laugh Riot, 2014, acrylic on white cedar shims with wire brads, 40 x 107"
Regular Laugh Riot and Western Swing at Elizabeth Harris Gallery 2014
Western Swing, 2014, acrylic on white cedar shims with wire brads, 60 x 109"
Amelie A. Wallace Gallery, Old Westbury NY, 2007
Brilliant Corners (Homage to Thelonious Monk), 2007, acrylic on white cedar shims with wire brads, 61.5 x 67.5"
with Ting Tang, 2011, acrylic on white cedar shims with wire brads, 25 x 80" approx
Crescendo, 2007, acrylic on white cedar shims with wire brads, 44 x 180"
Amelie A. Wallace Gallery, Old Westbury NY, 2007
Red Dot in a White Lake, 2006, acrylic on white cedar shims with wire brads, 49.5 x 84.5"
Chariot, 2014 acrylic on white cedar shims with wire brads, 56 x 107"
Scrambled Eggs, 2008, acrylic on white cedar shims with wire brads, 53.75 x 66.75"
The Same River, 2014, acrylic on white cedar shims with wire brads, 56 x 107"
Mauve Move 2008, acrylic on white cedar shims with wire brads, 40 x 67"
Large Shim Paintings and Installation views