Rick Klauber

  • Shim Paintings
  • Work on Paper
  • Archive
    • Paintings 2012 - 2021
    • Summer Nonet 2016
    • Works on Paper 2000 - Present
    • Drop Paintings 1994 - 1998
    • Candlelight Drawings 1992
    • Loose Grid Drawings 1990
    • Color Grid Paintings 1989 - 1991
    • Stencil Paintings 1986 - 1989
    • Charcoal Timeline 1974 - Present
    • Paintings 1974 - 1984
  • Reviews/Essays
    • Art in America
    • Bill Arning, from his catalogue essay for "In Full Effect", White Columns, 1991
    • Elaine King excerpt "Masters of Graphic Arts 3rd International Biennial" in Gyor, Hungary
    • William Zimmer
    • B.H. Friedman Catalogue essay for 1998 solo exhibition at The Brenda Taylor Gallery
    • ARTFORUM
    • The Brooklyn Rail
    • Joanne Mattera, Art Blog, 2/27/10
    • Hyperallergic
    • Press Release for "Works on Paper 1994 - 2000", Howard Scott Gallery, 2016
  • CV
  • About, Videos & Contact
  • Shim Paintings
  • Work on Paper
  • Archive
  • Paintings 2012 - 2021
  • Summer Nonet 2016
  • Works on Paper 2000 - Present
  • Drop Paintings 1994 - 1998
  • Candlelight Drawings 1992
  • Loose Grid Drawings 1990
  • Color Grid Paintings 1989 - 1991
  • Stencil Paintings 1986 - 1989
  • Charcoal Timeline 1974 - Present
  • Paintings 1974 - 1984
  • Reviews/Essays
  • Art in America
  • Bill Arning, from his catalogue essay for "In Full Effect", White Columns, 1991
  • Elaine King excerpt "Masters of Graphic Arts 3rd International Biennial" in Gyor, Hungary
  • William Zimmer
  • B.H. Friedman Catalogue essay for 1998 solo exhibition at The Brenda Taylor Gallery
  • ARTFORUM
  • The Brooklyn Rail
  • Joanne Mattera, Art Blog, 2/27/10
  • Hyperallergic
  • Press Release for "Works on Paper 1994 - 2000", Howard Scott Gallery, 2016
  • CV
  • About, Videos & Contact

Large Shims and Installations

View fullsize "New Plan", 7/2/24, acrylic on white cedar shims, 26 x 24”
View fullsize "Amulet", 7/19/24, acrylic on white cedar shims, 16 x 16”
View fullsize "Stage Right", 7/19/24, acrylic on white cedar shims , 16 x 20”
View fullsize 3 into 4, 2009, acrylic on white cedar shims with wire brads, 58 x 58"
View fullsize Howard Scott Gallery, New York City, 2010
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View fullsize Amelie A. Wallace Gallery, Old Westbury NY, 2007
View fullsize Modern World, 2007, acrylic on white cedar shims with wire brads, 52.25 x 138"
View fullsize "Light Rain", 2023, acrylic and oil on cedar shims, 14x17"
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View fullsize "Echo Chamber", 2023
View fullsize "Not Fade Away", 8/19/21, acrylic on wood shims with wire brads, 47 x 16", private collection
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View fullsize Uptime, 2013, acrylic on wood shims, 50 x 16", private collection
View fullsize Amelie A. Wallace Gallery, Old Westbury NY, 2007
View fullsize Thin Air, 2007, acrylic on white cedar shims with wire brads, 64 x 137.5"
View fullsize Howard Scott Gallery, New York City, 2010
View fullsize Regular Laugh Riot, 2014, acrylic on white cedar shims with wire brads, 40 x 107"
View fullsize Regular Laugh Riot and Western Swing at Elizabeth Harris Gallery 2014
View fullsize Western Swing, 2014, acrylic on white cedar shims with wire brads, 60 x 109"
View fullsize Amelie A. Wallace Gallery, Old Westbury NY, 2007
View fullsize Brilliant Corners (Homage to Thelonious Monk), 2007, acrylic on white cedar shims with wire brads, 61.5 x 67.5"
View fullsize with Ting Tang, 2011, acrylic on white cedar shims with wire brads, 25 x 80" approx
View fullsize Crescendo, 2007, acrylic on white cedar shims with wire brads, 44 x 180"
View fullsize Amelie A. Wallace Gallery, Old Westbury NY, 2007
View fullsize Red Dot in a White Lake, 2006, acrylic on white cedar shims with wire brads, 49.5 x 84.5"
View fullsize Silver Change, 2008, acrylic on white cedar shims with wire brads, 60 x 118"
View fullsize Chariot, 2014 acrylic on white cedar shims with wire brads, 56 x 107"